Lincolnshire Posy has 6 saxophone parts written (soprano, alto subtituting soprano, alto, tenor, baritone and and bass ad lib.). If you found an error with any archives or the URLs themselves, you can fix them with this tool.Ĭheers.- cyberbot II Talk to my owner:Online 04:13, 1 April 2016 (UTC) Reply Saxophones.If you have discovered URLs which were erroneously considered dead by the bot, you can report them with this tool.Y An editor has reviewed this edit and fixed any errors that were found.

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The Sussex Mummers' Christmas Carol (arr.

The Sussex Mummers' Christmas Carol (scored Goldman) (1916/1965).Sehet was die liebe tut (as arranger) (1937).The Power of Rome and the Christian Heart (1947/1953).Nightingale and the Two Sisters, The (arr.My Robin Is to the Greenwood Gone (arr.Lisbon from 'Lincolnshire Posy' (adapt.Irish Tune from County Derry/Shepherd's Hey (tr.Horkstow Grange from 'Lincolnshire Posy' (adapt.Down Longford Way & Shenandoah (as orchestrator arr.Angelus ad Virginem (as arranger) (1940s).Two Movements from 'Lincolnshire Posy' (Flex instrumentation) (arr.Shepherd's Hey (Flex instrumentation) (arr.Prelude in the Dorian Mode (Flex instrumentation) (as scorer).O Mensch, Bewein' Dein Sünde Gross (Flex instrumentation) (as arranger ed.Molly on the Shore (Flex instrumentation) (arr.Irish Tune from County Derry (Flex instrumentation) (arr.Monarch Brass (Mallory Thompson, conductor) - 15 December 2016 (2016 Midwest Clinic).Marinello III, conductor) - 28 February 2021 Illinois State University (Normal) Wind Symphony (Anthony C.Oklahoma State University (Stillwater) Wind Ensemble (Joseph Missal, conductor) - 17 April 2021.To submit a performance please join The Wind Repertory Project Audio CD: Chicago Symphony Brass - 2011.Program Note by Percy Aldridge Grainger Indeed, each number is intended to be a kind of musical portrait of the singer who sang its underlying melody - a musical portrait of the singer's personality no less than of his habits of song - his regular or irregular wonts of rhythm, his preference for gaunt or ornately arabesqued delivery, his contrasts of legato and staccato, his tendency towards breadth or delicacy of tone. Broadwood the other five noted by me, mainly in the years 1905-1906, and with the help of the phonograph), and the work is dedicated to the old folksingers who sang so sweetly to me. This bunch of 'musical wildflowers' (hence the title) is based on folksongs collected in Lincolnshire, England (one notated by Miss Lucy E. These indebtednesses are stated in the score. Five, out of the six, movements of which it is made up existed in no other finished form, though most of these movements (as is the case with almost all my compositions and settings, for whatever medium) were indebted, more or less, to unfinished sketches for a variety of mediums covering many years (in this case, the sketches date from 1905 to 1937). Lincolnshire Posy, as a whole work, was conceived and scored by me direct for wind band early in 1937. Since its premiere, it has been recognized as a cornerstone of the wind band repertoire. Grainger's settings are not only true to the verse structure of the folk songs, but attempt to depict the singers from whom Grainger collected the songs. It is in six movements, all based on folk songs from Lincolnshire, England. Lincolnshire Posy was commissioned by the American Bandmasters Association and premiered at their convention with the composer conducting. Difficulty: V (see Ratings for explanation)

Lincolnshire posy midi